The Conspiracy Extends to the Musical Scale

“This unnatural standard tuning frequency (440 hz) , removed from the symmetry of sacred vibrations ...

“This unnatural standard tuning frequency (440 hz), removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.” by L. C. Vincent (for henrymakow.com)


Vibration throughout the frequency spectrum of sound, heat, and light, is the organizational principle of matter.  Sound is the organizational principle of our Universe, of physical matter and most importantly, living matter.

The science of Cymatics illustrates that when sound waves move thru a physical medium (air, water, sand, metallic particles, etc.) the frequency of the waves has a direct effect upon the structures which are created by the sound waves as they pass thru that particular medium. YouTube videos show these fascinating patterns and arrangements here:

The Musical Conspiracy
The TRUTH about the Musical Industry

Imagine an incredibly powerful, wealthy person who secretly prospers from conflict, disease and war learns that certain sound frequencies (those easily divisible by two, signifying opposition) create conflict, discord and disharmony while those divisible by three  (signifying balance, polity, reconciliation, harmony) produce symmetry, and visually harmonic, pleasing structures.

Now imagine that he has the power to establish the tuning standard of all musical instruments throughout the Western World.

Imagine that he bases the entire scale of musical artistic creation upon a frequency which would skew vibrations towards discord.

It sounds like science fiction.  Yet this is exactly what transpired in September 1939 when Rockefeller (Illuminati) financial interests dictated that the standard tuning for the note of “A” above middle C would henceforth be said to vibrate at precisely 440 cycles per second.

This unnatural standard tuning frequency, removed from the symmetry of sacred vibrations and overtones, has declared war on the subconscious mind of Western Man.

The standard tuning fork, which is set to vibrate the note “A” above middle C at 440 cycles per second, is based upon a frequency only divisible by two rather than three, which means that all of the musical notes both above and below it are affected.

Despite the apparent “sweet music” a symphony orchestra can produce, when all instruments are tuned based on the A=440Hz key frequency, they are covert weapons no matter what “music” they may be playing.

These destructive frequencies entrain the thoughts towards disruption, disharmony, disunity.  Additionally, they also stimulate the controlling organ of the body — the brain — into disharmonious resonance, which ultimately creates disease and war.


In a paper entitled “Musical Cult Control,” Dr. Leonard Horowitz writes:

The music industry “…features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness….” while the agents of this conspiracy provide ‘therapeutic’ pacification in the form of myriad psychotropic drugs and tranquilizers for the stress they purposely created, and chemotherapy for the more serious illnesses it inspires.”

He says, “Energy (vibration) impacts “life” (biology) and our bodies through the most common medium of life:  water.  Our body weight, which is nearly 80 percent water, vibrates and resonates to frequencies, and frequencies entrain our physical matter as well as thought processes.  

Light and sound have been shown as the primary drivers of intercellular communication, which indicates that our health, or lack of it, may indeed by a product of the vibrational resonance of sound and light.”

As noted, the Rothschild-Rockefeller (Illuminati) alliance chose “….to determine the musical factors capable of producing psycho pathology, emotional distress and ‘mass hysteria.’”


The initial effort to make A=440 Hz the basis of standard tuning took place in 1910 when the Rockefeller Foundation issued a grant to the American Federation of Musicians to popularize the concept. The initial effort failed.

However, the BSI — British Standards Institute — officially adopted A=440 Hz in 1939, promoted by the strange consortium of Rockefeller Foundation influence and the Nazi government.  Ironically, The British adopted a tuning standard promoted by the Third Reich, just as both went to war.  While 440Hz had been rejected by British musicians only 3 months prior, Josef Goebbels persuaded the BSI to adapt 440Hz saying it was of extraordinary importance.

As Dr. Leonard Horowitz concludes: “Music bioenergetically affects your body chemistry, psycho  neuro immunology, and health. Your body is now vibrating musically, audibly and subliminally, according to an institutionally imposed frequency in harmony with aggression and in dissonance rather than vibrating in harmony with Love.”

Musical instrument tuning using the artificially imposed standard of A=440Hz may promote physical and mental disease and distrust, while effectively suppressing spirituality, intuition and creativity. This universal tuning frequency has been empirically shown to suppress the creative, intuitive aspects of our mind, while negatively affecting our body chemistry and our immune systems.


I don’t know if anyone can prove a direct link between aggression, disassociation, paranoia and violence to a tuning system that was promoted by both the Rockefellers and the Third Reich. However, just the fact that these two entities came together to push this standard is more than suspicious in my mind.

Although more than a few people have made the connection between the music of John Philip Sousa and his marching music as a stimulus to war, that specific link is in reference to composition, not frequency and vibration based on a tuning system.

“Intuitively, I think my sources are correct. But how does one go about proving that a specific frequency tuning is creating social stress, disharmony or physical violence and war? But the fact that the Rockefellers and the Third Reich pushed this tuning standard over the opposition of British musicians makes it suspicious, even sinister.”

The Rockefeller–Illuminati axis, their money and research, imposed this artificial tuning “standard” upon Mankind for the purpose of creating chaos. It continues to this day to funnel our minds and emotions along paths of negativity. It is high time for new, good vibrations to become ascendant and a “new standard” of vibrational tuning to emerge. It is time for the power of Love to triumph!

Additional Information

In Ancient Greece:

In Nazi Germany:

In 1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the standard tuning pitch. This to let people think and feel in a certain manner, and to keep them a prisoner of a certain consciousness. This in spite of that Professor Dussaut from the Paris Conservatory wrote a referendum that was signed by 23,000 French musicians who all were for the preservation of the A= 432Hz. Freedom of choice in bringing back the frequency of the earth is what it's all about today.

*** 432Hz quality ***

Music on a basis tone of A=432Hz is more transparent, more marked, clearer, gives an obvious musical picture and the Overtones and undertones moves more freely and can multiply themselves more. Music based on 440Hz represents emotions and locks up the head. By lowering the pitch 440Hz - 8Hz to 432Hz, the music changes. 

Which first was painful to the ear changes into a beautiful, warm music whereby relaxation is natural. Overtones are decisive for the sound, this holds for instruments as well as the human voice. The piano tuned in A= 440Hz creates an artificial clarity and strengthens the high stress levels of today. 

The instruments on which Mozart and Verdi composed their masterpieces were in 432Hz -is the same as C=256Hz- pitched. The original Stadivarius violin was developed to resonate at 432Hz.

Later Edited
This article raised some interesting debates, so this is the conclusion that I've come to.

440 Hz Vs. 432 Hz

Everything begins with a sound. Every sound has its own shape and color. When we are listening to music we can't see the shapes or colors produced by it. But we know for fact now, that some of the songs (sounds) create harmonic shapes (and most certainly colors that we are not yet able to detect), while others are not able to create sacred geometry...just broken pieces.

This effect was noticed when solid granules (sugar/rice) arranged in harmonic shapes (sacred geometry) when exposed to music (sound's vibration). It was also noticed in water experiments, when water was exposed to positive words (love, gratitude, etc.) -- forming beautiful geometric shapes. The exact opposite effect took place when water was exposed to negative words.


You can watch the entire documentary here. I promise it will change your life forever.

My conclusion

To the untrained ears, 440 Hz may not be that different from 432 Hz. But, how about our energetic bodies? How are the shapes and colors produced by music interfere with our energetic bodies or the world around us?

We should also consider that an adult human is 55-78% water. A positive song and a positive frequency can uplift our physical health, awareness, love, etc., while negative frequency makes you sick - both physically and mentally

By L C Vincent, HenryMakow; | Additions by Alexander Light, HumansAreFree.com;

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Post a Comment

  1. Wow Light,are they serious?! UMG blocked this video in America?! If so, thats more proof any..

  2. Strads were meant to vibrate at A415 not 432hz.Also what orchestra,quartet,rock band etc. have you heard that ACTUALLY plays at 440?

    1. All rockbands worth their salt tune using digital tuners, they tune to 440. I still think this article is hokey though. Saying rockefellar picked that Freq. I see no proof for that. There has also been plenty of testing for sound-waves and moods.

  3. well, from my jazz training i have to say - i agree that it's possible to restrain and/or constrain consciousness with dissonance and consonance.

    As a technical point - modes are scales - so they describe a series of intervals (notes), all of which represent an order of harmonic overtones.
    [at least thats what the ionian dorian lydian refer to]
    A note is a series of simultaneously played overtones that create the timbre
    of the sound - something played at "440" or "432" would also play at @ 660, 770, 825, 853 so on and so forth. Very informative thank you. I would highly recommend a book called "the secret life of plants" as to more information on vibrations. They discuss alternative science and kirlian photography, effects of music on plants, and many many other studies. Bless and be well.

  4. Just for people that may be curious. When you use a digital tuner most of then are set to 440. On my Korg chromatic tuner I can set it a few hz either way. Like 437hz or 442hz making the notes either sharp or flat. The reason they chose the A note is because it is the beginning of the scale and the rest of the notes or strings can be tuned off of the starting note or in this case the A note making them all 440hz.

  5. http://www.youtube.com/watch?v=jVATlX4XKMk

  6. The Rockefeller Foundation wasn't granted a charter until 1913. So there's a discrepancy with the claim made here that they gave the American Federation of Musicians a grant in 1910 for this purpose. I am not saying that there was no attempt at making manufacturers adopt the 440 standard, the ISO did in fact declare this standard in 1955, reaffirming it one last time in 1975. This constraint on the manufacturers consequently affects the music industry, or any practicing musician for that matter. There are claims that it is easier to reproduce 440 hz electronically, but due to considerable ignorance on the subject I have no say in the matter.

    432 Hz manifests itself in a remarkable manner, google Cymascope readings of it for a visual on the tone.


    1- http://www.iso.org/iso/iso_catalogue/catalogue_tc/catalogue_detail.htm?csnumber=3601
    2- http://books.google.com/books?id=MjTLYqOoi3kC&pg=PA92&dq=440-cps+1936#v=onepage&q=440-cps%201936&f=false

    1. John D Rockefeller had an oil company in 1870, what makes you think he wasn't powerful before 1913? Illuminati started ~1776 but I'm pretty sure they had influence way before that date.

  7. My "Snark" model SN-8 tuner will adjust down to 432, and upon initial listen, it does seem to "sing" better (totally unscientific conclusion)?

    1. ...that is, the instrument I tuned to 432, a baritone ukulele, sounded...well...different anyway...somehow more appealing...

  8. The man who most promoted the 440 standard in the US was the Chicago based J.C. Deagan - one of the best manufacturers of Bells, Chimes, Vibraharps and Marimbas. Truly the Deagan brand, and their successor "Century Mallett" are world reknowned as the manufacturer of some of the highest quality bell and chime musicical instruments in the world: those with the highest ability to uplift the consciousness of the listeners and performers who hear them performed.

    Truly musical "standard" pitch has NEVER been just A=432, 428, 440 or whatever. The world reknowned Chicago Symphony Orchestra deliberately tunes slightly higher than 440. I recall it was something like A = 443 or 443.5.

    Funny also, the article concludes with a recommended book about "Ancient Temples designed for 110Hz chanting". Well that is also identical to 440 Hz, thus some inconsistencies here.


    Yes there is a very significant audible effect when the musical scale is tuned to the pure, exact whole number ratios as defined by Pythagoras: such that the specific Major and Minor chords Exactly align to perfect multiplications of the octave ratios - and when heard do seem like "All the Lights in the Heavens Fully Turn On".

    The challenge of Pythagorean tuning is that the music MUST remain in just the one Key for which the tuning is Perfect. To play perform music which contains ANY modulation change of key, the tuning of the chords of the alternate keys will become more and more "out of tune" from the Perfect tuning of the primary tuning key.

    Even in the time of Bach, various "Well Temperament" compromises were devised to allow the composers to modulate the musical thoughts into more and more "remote" keys away from the original starting key (in a manner in which the remote key continued to sound acceptable to the ears of the listeners). By the middle and late 1800's the ideas of "Chromatic" modulation became more and more common practice, and for chromatic modulation the ultimate "compromise" of "Equal Temperament" became the most common musical useage through the present time.


    Interesting that the presenter in a video completely omitted the mention of fine arts symphonic music within his presentation of the various musical genres.
    Thank you for your consideration of this comment.

  9. A lot of fantasy and very few serious scientific researches, Specially lacking in these texts are serious studies about the brain's response to audible stymulus, time necessary for it taking effect, interactions with other audible sounds, (most music is not heard as concert halls) and brain entrainment studies and technics, where the frequency differences are interpreted as third frequencies and stymulate the brain to generate sepecific electrical pulsating frequencies. These articles are too superficial to be taken seriously.

    1. So when are you going to start searching for the missing scientific research? Or even better, you could try doing it yourself.

      Otherwise, your comment is "too superficial to be taken seriously."

  10. 432 hz sounds better and is more appealing. It produces harmonious results in the body to reduce aggression, separation and anxiety. We should all get together and change the negative standard of 440 hz back to the positive "432 hz frequency". Demand all radio stations go back to 432 hz.

    1. Please tell me you're being sarcastic. If not, there is no hope for humanity.

  11. I started laughing at the Emoto water BS.... those are not 'water molecules' .. they are ice crystals, - very much larger units of water molecules: molecules do not themselves 'freeze' in the sense used here. The Emoto crap is just fruitcakery.

    1. It still does not explain why the positively charged ice crystals are beautiful and harmonious, while the negatively charged ones are the exact opposite. Here is another scientific approach about the same subject:

      And here is Emoto's complete documentary:

      Just in case you want to learn something interesting...

    2. Emoto's intents with emotion and especially music are very polarized. He himself does not listen to heavy metal music on a regular basis, and he didn't even bother to test jazz. However Mother Teresa comes up looking like a distorted 6 sided polygon with a reddish charged color like hitlers'. Considering her past and legacy I'm not suprised that it didn't look anything more like hitler, but it definitely assumed the shape of a hexagon. So its proven invaluable to judge books by thier covers

    3. @Alexander Let me guess: You're the owner of this site, that's why you put 2 supposedly "valid" links to this same website which clearly is the deranged ramblings of a schizophrenic. No offense.

  12. My brother recently introduced me to 432Hz music. He is really big into neuro-programming, creating his own meditation music etc. He has been doing this for years. I thought it was hokey or just plain meditation. Curiously, I started searching for modern music in 432Hz. I started finding music, not these videos, I can no longer accept listening to 440Hz music. Music I have listened to for years and loved I might add, suddenly became alive. I have since started converting all my music to 432Hz. I think proof is in the pudding!

    1. Time scaled and pitch shifted, then remastered .where needed (almost everywhere, unfortuante).

      You're welcome :)


  13. All frequencies are natural. Ho can a frequency be removed from the symmetry of sacred vibrations and overtones? Do you know what overtones are?

    Let's take as an example the ascending harmonic series (overtones) starting on 8 Hz. The first or fundamental harmonic is 8 Hz. The second one is 2 times more, 16 Hz. The third one, three times more, 24 Hz. Got the idea? It's as easy as 1, 2, 3, and so on. Now, what's the 53rd harmonic overtone of 8 Hz? 424 Hz - check out http://ramusic.com/ for more on that. The 54th is 432 Hz and now for the 55th: 440 Hz! Check mate! Want more? How about the 66th: 528 Hz. Something similar was done by the creators of Sonic Geometry video, but they took 9 Hz as the beginning point. This doesn't really matter, what matters is the actual tuning: the mathematical relation between tones.

    Who says that sound frequencies divisible by two create conflict, discord and disharmony while those divisible by three produce symmetry, and visually harmonic, pleasing structures? Please stop repeating other people's delusions, without checking the facts or without having any clue what you're regurgitating. The cymatic experiments circulating on the internet depend very much on the structure and size of the plate and the material vibrating on it. If you want to prove something, do the experiment yourself.

    Which destructive frequencies entrain the thoughts towards disruption, disharmony and disunity? 440 is only one frequency, but if you mean the whole equal tempered scale, now you're talking. You seem to overlook the most crucial aspect: that of the actual tuning. Equal temperament, the tuning used everywhere here in the west, is dissonant and out of tune, no matter if it starts from 261,625565300599... Hz ("A" 440) or from 256,868736840588... Hz ("A" 432).

    Most people ranting on about 432 mention "Pythagorean" tuning, but then they forget all about it and say to use Audacity to convert to 432. But that doesn't change your actual tuning, it will still be equal tempered. So you just can't say that "Overtones and undertones moves more freely and can multiply themselves more" because they actually can't, as long as they're stuck in equal temperament.

    So, by lowering the pitch 440Hz - 8Hz to 432Hz, the music DOESN'T change, it just falls down a bit. But the dissonance is still there. It is still equal tempered, thus dissonant and out of tune.

    We don't know how the instruments on which Mozart and Verdi composed were pitched. Really, we have no way of telling that. 432Hz is NOT the same as C=256Hz if you're using equal temperament. It is only if you use "Pythagorean" tuning, but as I mentioned earlier, all instruments in the west are stuck in equal tempered tuning.

    And how about our energetic bodies? Our energetic bodies will be crying out loud "stop this dissonant aberration!" as long as we expose ourselves to equal tempered music. If you don't know what that is, inform yourself: http://whatmusicreallyis.com/papers/sweet_poison.html

    1. "Most people ranting on about 432 mention "Pythagorean" tuning, but then they forget all about it and say to use Audacity to convert to 432. But that doesn't change your actual tuning, it will still be equal tempered."

      "So, by lowering the pitch 440Hz - 8Hz to 432Hz, the music DOESN'T change, it just falls down a bit. But the dissonance is still there. It is still equal tempered, thus dissonant and out of tune."

      Not anymore.

      "And how about our energetic bodies? Our energetic bodies will be crying out loud "stop this dissonant aberration!" as long as we expose ourselves to equal tempered music."

      Still, even trash quality 432 hz videos on youtube are better then standard hz. Far from perfect, we all agree on that but still, way better. As you see in the link aove, even that is far more improved by us who do care about 432 hz and inform ourselves to the very bottom of the subject, like you did. Of course, that is also not perfect but I dare to say it is the most accurate and near actual musicians playing on hand made instruments tuned to 432 hz.

      Kudos to you,



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