Göbekli Tepe: 12,000 Years Old Temple
The story of this wonderful discovery will take you in a long journey, connecting and puzzling ancie...
Göbekli Tepe (Turkish for "Potbelly hill") is a hilltop sanctuary erected on the highest point of an elongated mountain ridge some 15 km northeast of the town of Şanlıurfa (formerly Urfa) in southeastern Turkey.
The site is currently undergoing excavation by German and Turkish archaeologists.
Dated to be 11,500 - 12,000 years old, Göbekli Tepe, is the oldest temple found until now. But what kind of temple? The official version states that this was a temple of worship, but I am daring enough to say otherwise.
The temple is composed of repeating circles and this is the first thing that caught my eye! The same type of buildings have been found in Africa, dated to be 200,000 years old (the oldest Metropolis ever found on Earth). You can read the article HERE, if you haven't read it already.
Above: Graphic reconstruction of the Göbekli Tepe circular arrangement;
Bellow: Google Earth pictures of the 200,000 years old African Metropolis;
|Small part of the African Metropolis - Click to enlarge|
Blue: showing groups of 3, 2 and single individual buildings;
Orange: showing groups of larger circular buildings that are connected;
|African Metropolis building pattern|
The similarities are striking! About 200,000 years ago, in Africa, the first genetically engineered humans (according to their own stories) were building huge circular cities by stacking up stones of all dimensions (probably all available stones in the area, without minding the dimensions). Almost 190,000 years later, close to the Turkish - Syrian border, another civilization was building the same type of circular buildings, using the same method of stacking up stones of all sizes.
Ground-penetrating radar surveys indicate there might be at least 250 more standing stones in 18 still-buried circles.
Moving forward, the archaeologists say that all the standing anthropomorphic stones depict humans; but I've noticed something very interesting regarding the T-shaped stones standing in the middle. They are visibly larger and all others are positioned towards them.
If the stones represent beings, those in the middle are clearly taller than the others and held some kind of knowledge. They were probably teaching the smaller beings some kind of lessons. The natural questions are: "what kind of lessons were taught in that temple?" and "who were the teachers?".
In order to answer the firs question we have to study the tall anthropomorphic stones placed in the middle:
This is one of the two strange beings standing in the middle of the temple. Remember, they are teaching lessons to the smaller beings, forming a circle around them. The first interesting depiction is the animal held by the being: could be a fox or something similar (maybe a dog if the animals were already domesticated?). The second interesting depiction is what is seems to be a modern/high-tech belt. Let's take a closer look at it:
Knowing that the temples are filled with animal depictions and death scenes, personally I have no doubt that the temples were sacrificial chambers, and the larger beings were teaching or conducting a sacrificial ritual to the smaller ones.
But can we connect the reptilians to these rituals? Yes, in my opinion, for the following reasons:
1. We know that the African metropolis is 200,000 years old and was built by genetically engineered human slaves that were extracting gold for the reptilians (see my other articles for this to make sense). Studying the construction materials and building technique (as well as the repetitive circular buildings pattern), it's safe to say that the two sites are very similar.
But because the distance between them is large and the periods of time are seriously separated in time, we can speculate that the two sites had architects from the same culture. It may be a long shot, but works fine for me. And you will see why.
2. The Sumerians depicted the Anunnaki reptilians wearing cross necklaces, wrist watches (or other devices), pushing buttons on high tech device, etc.. This sculpture clearly indicates a belt/strap that doesn't fit with the primitive humans that lived 12,000 years ago.
3. We know from the African stories (and from many other cultures) that the humans were not allowed to depict the reptilians in their true form, so they always depicted them to be clearly non-humans. These T-shaped stones are very non-human looking to me.
4. One more intriguing drawing shows a human-like vulture eating -what it seems like- a human heart, somewhere way above the ground. The archaeologists described this as a "sky burial" in which a dead human body is consumed by vultures and “recycled” in the cosmos.
The truth, though, may be a little chillier!
The Sumerians sometimes depicted the Anunnaki in their non-human form with vulture heads and wings, because they had the power of flight. May this scene represent reptilian extraterrestrials eating a human somewhere in the cosmos? Maybe on board a ship? May the pattern behind the vultures indicate some kind of windows and the spacecraft's wall?
Anunnaki god in non-human shape, having vulture head and wings.
Holding the pine cone (pineal gland depiction - sign of great knowledge). May the so called "heart" from the Göbekli Tepe sculpture be a pine cone as well?
Before moving forward, I have one more theory that goes on the same lines.
Knowing that this reptilian specie varies in size (also color and other peculiar features), I can speculate that human beings were not present in this circles at all. All of the T-shaped stones could be reptilians of different sizes, ritualistically killing animals and humans for food.
This theory may be supported by these statues clearly depicting humans:
|Notice the low vibrational obsession for sex, primarily promoted by the reptilians|
Do you remember the anthropomorphic stone from the African calendar dated to be 160,000 years old?
Just as the pyramids of Giza and many other ancient AND MODERN monuments, the African calendar is aligned with Orion's belt. Somebody was and still is worshiping the Constellation of Orion
The anthropomorphic stone in the left is the African depiction of a Reptilian watching towards or belonging to this distant Constellation. Read the article HERE.
More to the point, it also seems that there is also a calendar similarity between the two sites:
Finely honed reliefs and some 3-dimensional sculptures on the limestone columns depict boars, foxes, lions, birds, snakes, scorpions, vultures, reptiles, humans and other figures.
I am very intrigued by the lion sculptures, because lions never lived in Turkey. So how did the sculptors knew how lions look like? (Maybe the lion sculptures were mistakenly interpreted, otherwise...).
Regarding the strange sculptures, John Anthony West said:
"The best stones are absolutely spectacular! And they are 'raised relief', which is the most difficult kind of sculpture to do. That means that somebody draws the lion, or the crane, or the fox, or the wild boar on the stone and then somehow or another they cut away the surface of the stone so that the relief seems to be jumping out from the stone rather than being cut into the stone. Now these things are done on 10 to 15 ton blocks without any metal, as far as anybody knows, without any tools!" (No tools have been found at the site).
John Anthony West is the Director of the Ancient Wisdom Foundation and author of "Serpent in the Sky". He spent many years proving that the Sphinx is at least 7,000 years old because it shows clear signs of water erosion. This places it back in the period of heavy rainfall.
|Example of "raised relief" sculpture depicting an animal|
One thing it's clear: this ancient civilization of hunters and gatherers couldn't built this huge temple (especially without any metal or sophisticated tools, like it's officially accepted).
But even more mysterious is this small piece of basalt:
This is a little black bead and it’s a very hard stone that is ~ an inch square and maybe a quarter of an inch thick. And it has a perfect hole drilled lengthwise, through the quarter-inch thickness. This is impossible to achieve without metal tools!
Above: The Göbekli Tepe "seal"
Bellow: The Sumerian story of Creation. The Serpent, the Tree of life and their "Adam & Eve"
This is the smallest depiction of our creation: serpent "gods" having the knowledge and the power to create life. It also connects reality to the story of Eden, in which the serpent deceived humanity.
In 2006, Klaus Schmidt, the archaeologist leading the excavation was asked why Göbekli Tepe was intentionally buried. This is his answer:
"No one knows. But the way the dust is packed around the stones shows that Göbekli was entombed deliberately, and with some care."As I've stated many times before, the reptilians are trying really hard to hide our true history. All ancient monuments and pyramids have been intentionally buried or kept hidden.
So who built this ancient temple and why? I have no doubt that the reptilians taught the humans how to built this temple and that its purpose was to sacrifice animals and humans in ritualistic ways. Rituals are very important for the reptilians and the today's Illuminati. What we call satanism is the worship of the reptilian "gods" and the sacrifices are dedicated to them.
For more details, please read THIS article.
By Alexander Light, HumansAreFree.com | Some of the pictures are credited to Robert M. Schoch and Catherine Ulissey, 2010;